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Antikatechon "The Sanctum of Saturation" CD 10 €
We Promise To Betray "Nothing is as It Seems" CD 10 €
Antikatechon "I Feel Nothing but Repulsion" CD 10 €
Antikatechon "Woe is the Reward" CD 10 €
Nimh & Antikatechon "Out Hunting for Teeth" CD 10 €
Antikatechon "Chrisma Crucifixorum" CD 10 €
Antikatechon "Privilegium Martyrii" CD 10 €
Molnija Aura "Utopian Suns" CD 10 €
Echran "In Offret" CD 10 €
Echran "Echran" CD 10 €
Davide Del Col "H" tape 3 €

Antikatechon: "The Sanctum of Saturation" CD reviewed on "Igloo Magazine"

Italy has an honorable tradition in the development of industrial dark ambient music, from past to nowadays. Eibon has forged the style for this country with Amon, Never Known, Nimh rapidly followed by Cold Meat Industry with the release of materials from Vestigial, New Risen Throne. Polish based label Rage in Eden actively carries on the torch of dark ambient acts from Italy, notably with Nimh, Antikatechon and Neuestrasse. Albums by Antikatechon have been occasionally reviewed by Igloo, his recommended effort in collaboration with Nimh titled Out Hunting For Teeth as well as Woe Is The Reward and I Feel Nothing But Repulsion. Antikatechon typical style is characterized by a cathedral of ominous drones, layered textures which interact with bleak noises sometimes punctuated by heavenly melodies in a minor key mode.

This new album explores the most minimalist, industrial and droning direction of Antikatechon’s music, melodious arrangements are far more discreet here than it was before. The two epic pieces are focused on a dense cascade of abrasive drone vibes, shrouded in utter darkness. This harsh wall of sounds let escaping sorrowing dreamscapes of elegiac beauty but you have to be fully concentrated to catch those submerged melodious counterpoints. Antikatechon keeps maintaining darkly meditative moods at high level with blissful then heavily charged thundering ambiences. Some buzzing electric chords reveal a slight experimental post-rock flavor.

A really interesting release which admits a cross between the turbulent noisy works of Theologian, IRM, Brighter Death Now and the quiet, mercurial drone ecstasies of Tim Hecker, Windy & Carl, and darkened contemplative textures of Atrium Carceri or Desiderii Marginis. An original musical balance and convincing soundscaping dialogue which challenges things a little in the shifting ambient music galaxy.

(Philippe Blache)

http://igloomag.com/reviews/antikatechon-the-sanctum-of-saturation-rage-in-eden

Antikatechon: "The Sanctum of Saturation" CD reviewed on "Onda Rock"

Album numero sei per Antikatechon, l'oscuro progetto dark-ambient di Davide Del Col. In scaletta su “The Sanctum Of Saturation” solo due lunghe tracce , ognuna della durata di oltre venticinque minuti.

“The Stations Of Servitude” vale come summa dell'artista italiano: una matassa di feedback serve da portante per il drone cupissimo che trasporta in dimensioni ultraterrene. I primi dieci minuti sono all'insegna della notte più buia, poi, dopo la boa degli undici minuti, una chitarra in odor di space-shoegaze illumina l'atmosfera con una ghirlanda di accordi nebbiosi. Una trasformazione spettacolare che mostra le indubbie capacità di Antikatechon nel trattare drone come fossero aurore boreali.

L'omonima “The Sanctum Of Saturation” è un abbraccio ancora più cupo e avvolgente: un vento cosmico proveniente da chissà quale dimensione ricopre ogni dettaglio; lentamente il drone si dispiega e i particolari emergono in tutta la loro bellezza. Tra VidnaObmana e William Basinski.

Rating: 7

(Roberto Mandolini)

http://www.ondarock.it/recensioni/2018-antikatechon-thesanctumofsaturation.htm

Antikatechon: "The Sanctum of Saturation" CD reviewed on "The New Noise"

The Sanctum Of Saturation è il sesto album a nome Antikatechon per Davide Del Col, uno che non sta fermo e che non mente mai, nel senso che ti dice cosa suona e poi sta a te decidere. Come ho già scritto in passato, Davide sembra scegliere consciamente di non uscire da determinati steccati, essendo stato in realtà in grado di produrre materiale più eterodosso, ad esempio con gli Echran.

All’inizio i paragoni più semplici da fare per descrivere Antikatechon erano quelli col mondo Cold Meat Industry, per anni un riferimento di tutta la scena, mentre oggi, di fronte a questi due lunghi episodi più noise (vedi il titolo), ha più senso parlare di un percorso autonomo, sicuramente influenzato dalla stretta collaborazione con Giuseppe Verticchio (Nimh, Hall Of Mirrors), un probabile continuo darsi spunti a vicenda, visto che stiamo parlando di due veterani. Rage In Eden scrive che The Sanctum Of Saturation si sposta un po’ verso il genere power electronics, ma io non sono proprio d’accordissimo: da un lato c’è appunto il legame con Nimh, anche per quanto riguarda certe impercettibili sfumature etniche e certe melodie sotterranee, dall’altro a mio avviso (ma potrei sbagliarmi) si sente che Davide ha anche un progetto black metal, perché alcune parti – pur non essendo metal – sono mortifere nello stesso modo in cui sapeva esserlo il black o certo doom dei primi Novanta.

Indubbiamente efficace, indubbiamente riservato a precisi ascoltatori, come immaginabile più numerosi all’inferno che sulla terra.

(Fabrizio Garau)

https://www.thenewnoise.it/antikatechon-the-sanctum-of-saturation/

Antikatechon: "The Sanctum of Saturation" CD reviewed on "Ver Sacrum"

Torna Antikatechon, il progetto dark-ambient di Davide De Col di cui avevo gia’ parlato in passato qui su Ver Sacrum. Si tratta del sesto disco di Antikatechon intitolato The Sanctum Of Saturation. Le coordinate stilistiche sono ancora le medesime ovvero lunghi ed inquietanti bordoni elettronici minimali densi di un’atmosfera oscura e malata che ci va visitare altre dimensioni dell’essere. Antikatechon ci immerge in un mare nebbioso da cui non sembra esserci mai fine. Il disco e’ diviso in 2 lunghe composizioni: “The Statations Of Servitude” e “The Sanctum Of Saturation” entrambe di oltre 25 minuti. Rispetto al suono magmatico della passata produzione, si nota forse una maggiore proprensione verso sonorita’ power electronics deflagranti e corrosive come si puo’ ascoltare nella traccia iniziale. Tuttavia non siamo di fronte a una sterile accozaglia di suoni senza senso che, in alcuni casi, risultano fini a se stessi. Al contrario, nella musica di Antikatechon, si percepisce un senso e si capisce che, alle spalle, c’e’ un lavoro di ricerca. Le ambientazioni sono, in realta’, pacate: il rumore di fondo ha lo scopo di cullarci e portarci verso un ascolto profondo e quasi mistico. Sta alla sensibilita’ dell’ascoltatore riuscire a penetrare nell’universo oscuro di Antikatechon. La title-track, con le sue  atmosfere quiete e minacciose, lascia presagire l’esistenza di una realta’ nascosta. L’iconografia della copertina, con un teschio in bella evidenza, lascia gia’ presagire, peraltro, il tipo di sensazioni a cui andremo incontro. The Sanctum Of Saturation esce per la Rage In Eden ed e’ consigliato ai seguaci del dark-ambient e del post industriale esoterico.

(Caesar)

https://www.versacrum.com/vs/2018/07/antikatechon-the-sanctum-of-saturation.html

Antikatechon: "The Sanctum of Saturation" CD reviewed on "Flux Webzine"

Antikatechon is the main project of Italian underground musician Davide Del Col, active as a part of abstract-experimental project Echran with Fabio Volpi and of electronic/glitch project Molnija Aura with Andrea Marutti. He has worked with Giuseppe Verticchio in the collaborative shoegaze/new wave project We Promise To Betray too, showing his interest for different forms of music. As Antikatechon he has released four albums of experimental dark ambient music mixed with classical and noise elements, and a collaboration with Nihm (Giuseppe Verticchio) called Out Hunting For Teeth. In the past we have reviewed his album I Fell Nothing But Repulsion, and now he gives us a 2-track album named The Sanctum of Saturation (2018, Rage In Eden), a work born from the communion of noise/drone music and acoustic melodies.

As already mentioned the work is divided into 2 long-form instrumental pieces respectively called The stations of servitude and The sanctum of saturation which display diverse suits and sudden changes in direction, sonic stories made of ethereal innuendos, sharp noise, droning movements, melancholic melodies and dark, grim ambiances. The listener is invited to a long journey through sounds and minds, a cathartic experience with almost ritual qualities and deep states of concentration. A holy place (see the name of the album) where the saturation of sounds and effects generates a mantra in which the cacophony is a hymn for the restless souls.

The stations of servitude starts with oniric soundscapes and shrilling lines, engulfing us with its hypnotizing crescendo while ambient effects and solemn atmospheres are developed in the background. A moody sax can be heard, but the growing noise dominates the track starting from the third minutes. Now we obtain a droning structure with dooming tones and distorted sounds, an obsessive motif descending into majestic white-noise territories. At the seventh minute a glorious climax is reached, giving space to cosmic lines and roaring dissonances. The resulting mantra is repeated for several minutes, but at the end of it we find beautiful synth -lines with ethereal and almost progressive qualities. Then, industrial suites and ominous loops guides us through the gray soundscapes, slowly indulging in quieter ambient drones and dreamy sequences. The now dominating melody is full of melancholy and sweetness, a perfect complement for the surrounding distortions.

The title track welcomes us with dark ambient atmospheres and droning movements, crafting a grim voyage underlined by epic choruses full of ethereal qualities. An almost orchestral songwriting, but violated by crunching industrial loops and electronic interferences, a mix of sonic beauty and ugliness. The union of elements conjures a surreal climax full of human emotions and mechanical rhythms, a crawling obsession soon dwelling in a sea of sharp distortions and static disturbances. An electric atmosphere full of repressed tension is reached, and shrilling feedback sounds find their place in the aural majesty of the looping number. After the twelfth minute the storm goes away and new mantras create a section enriched by middle-eastern strings. The artist surprises us with these elements, but the noisier side of his music is not forgotten: drones and static effects still engulf the listening experience, but they do not destroy the melodic aspects of it. The last part of the track is dedicated to ambient suites and celestial harmonies.

A work rich in sounds and atmosphere in which dark ambient, drone/noise music and experimental elements conspire in order to develop a captivating aural experience. This is not just a collection of random noises and sounds, a pretentious attempt to avant-garde without any real meaning. Instead, we find a diverse but coherent work with a sonic narrative and slow developments, well-thought changes of direction and a skillful collaboration between noise and melody, acoustic passages and cold electronic lines. If you like dark ambient music and droning noise, this album could a treat for you.

Label: Rage In Eden

Rating: 7,5

(Davide Pappalardo)